| 209 ALBUMs |
| 1100 TRACKs |
| 112 PDFs |
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XVI "Music came to a full stop with Brahms; and even in Brahms I can begin to hear the noise of machinery" Wittgenstein (1930) 1 Pure Jazz is everything that is random.(We have input, the program, and output.) 2 What is random, the fact, is the existence of musical facts. (The input is random within a range, a random choice from a known number of elements.) 3 The musical picture of the facts are the notes. (The program is the advancement of time with each random choice.) 4 The notes are the significant propositions. (The notes can be from imperceptible to indefinite. To be significant, they almost always are short or a fraction of short and within a musical range) 5 Propositions are musical functions of elementary propositions. (An elementary proposition is a musical function of itself.) 6 The general form of musical functions is: MF = random(lower_limit,higher_limit) (This is the binary form of propositions, the Bernoulli trial) 7 Whereof one cannot make a note, one must make a rest. XVI |
| Catalog No: | FLX33 (LN66) |
| Title: | Critique of Pure Jazz |
| Sound Artist: | Frank Rothkamm |
| Visual Artist: | Jackson Pollock Holger Rothkamm |
| Label: | Flux Records |
| Length: | 6:01:55 (21715s) |
| Composed: | 2014 |
| Location: | Los Angeles |
| Instruments: | Formula Dual Yamaha FB01 |
| Release Date: | 10/17/2015 |
| Format: | Digital |
| Tags: | IFORMM FM |